Tag Archives: chil sung

Scar Tissue That I Wish You Saw

There’s no real reason for the title, other than the fact I’m listening to the song by RHCP as I write. I love the guitar in it, and it’s a great sing-along track. I’m feeling a bit pooped today, which I guess is a bit of Monday Syndrome, but also because of the rather long training session we had yesterday.

The majority of our club attended a two hour seminar which ran immediately before our usual evening session, I was very glad that I’d taken both my water bottles by the time it was over! The seminar itself was based around a special set of forms which only Tang Soo Do and Soo Bahk Do practise. They’re known as the Chil Sung (Seven Star) Hyung, and were developed by the founder with explicit reference to the Muye Dobo Tonji, the oldest known book recording native Korean martial arts. For anyone who’s trained in Karate or Tang Soo Do the forms are a real departure from the basics and Pyung Ahn/Pinan types we’d normally work at. There is a lot of emphasis placed on tension and relaxation and breathing control, and on top of that they tend not to follow the same sort of patterns as the traditional forms. We worked hard and managed to cram in quite a bit of the first three forms to at least give us a grounding and a bit of a better understanding.

After classes were over and I’d rewarded myself with a devilishly hot Chicken Madras, I crashed on the sofa. It wasn’t until I woke up this morning that I realised what it was that made me flake out as much as I did, and now I can see it’s the concentration combined with the physical work. I always concentrate on what I’m doing in lessons, so I suppose what I’m trying to talk about is more trying to learn something new. When I first started training everything was new. There was so much to take on board as I tried to cram in the movements from the Hyung, the Ho Sin Sool and the various Dae Ryun, as well as new terminology and language. Those early lessons used to leave me next-to-comatose, and the feeling I got last night reminded me of it very strongly. It’s the same thing as when I was learning Japanese, it just melts my brain. It’s a great feeling though, and a great way to get a good nights sleep – once your brain finally turns off that is, and stops trying to recall every last detail of the day.

On Saturday morning we took Murphy to his first Dog Agility class. I felt a bit sorry for him and his chances when we got there and I saw that most of the other dogs looked far more ‘agile’ than him – a mix of bouncier spaniels, collies and labradors – but that all disappeared once we got going. He had real trouble concentrating at first, but I think that was because he simply wasn’t used to having to concentrate and NOT go and play with/sniff the other dogs. He’s a really sociable little thing really, it must’ve been like torture to him. An hour later and we’d all learned something new though, and Murph had been over some low jumps, up and over an A-Frame and even through a shortened tunnel. The bulgy-eyed ginger squeak-monster did me proud and was absolutely knackered for the rest of the day. We take on weaves and the dog walk next week!

And finally, it’s the Autumnal equinox today. Enjoy the finely balanced light and darkness and get ready for much more of the latter over the coming months.

(Tang?) Soo Bahk

During Sunday’s training session some of us were given the opportunity to learn a new form, not one on our current syllabus or one which I need for my next grading, but a Chil Sung one.

One of the first things many people associate with Tang Soo Do is the name Moo Duk Kwan. This is the original school created by the founder Hwang Kee, and where he first taught Tang Soo Do. What some people don’t realise however is that in later years he founded a second art, one more in keeping with the Korean heritage and roots. That art is called Soo Bahk Do and while it does share similarities with TSD, it’s also quite different. Hwang Kee created several forms for his new art, the most well-known of which are the Chil Sung (Seven Stars) and Yuk Roh (Six Paths) series. These he created apparently with reference to the ancient Korean martial arts reference book, the Muye Dobo Tongji.

There are many different schools of Tang Soo Do now, each with their own syllabus of forms and ways of performing them, and many different beliefs as far as the SBD forms go. Some believe that TSD should be kept ‘pure’ and not incorporate the forms I mentioned above, whereas some openly embrace SBD and meld the two together. With our move into the EMTF a short while ago we’ve started to look at bringing these forms back into our teaching and syllabus, and from a personal point of view, I’m glad. They’re remarkably different to the guts of the standard TSD form set, the Pyung Ahn Hyung, but it’s not obvious on first inspection. The forms are performed in a different way, using far more relaxation and soft movements (at least that’s how they seem to me so far), and very tiring!

It’s nice to have another string to my bow now, and to have furthered my knowledge a little more in a practical sense. Chil Sung Ee Roh is the name of the form, and it wasn’t until my instructor mentioned it that I realised – it’s the first form I’ve learned which is Korean! Everything else is Japanese/Chinese in origin, so it’s nice to be able to say I study a Korean art and know traditional Korean forms.

Well, Korean form, but let’s not split hairs eh?